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遠(yuǎn)香湖九號別墅-29#現(xiàn)代中式設(shè)計

Yuanxianghu No.9 Villa -29 # Modern Chinese Design

項目名稱：遠(yuǎn)香湖九號別墅-29#現(xiàn)代中式設(shè)計·傳統(tǒng)東方美學(xué)+現(xiàn)代生活需求
項目地址：上海市嘉定區(qū)寶塔路99弄(寶塔路與裕民南路交匯處)
建筑面積：350平方米

PROJECT NAME：Yuanxianghu No.9 Villa -29 # Modern Chinese Design
LOCATION：Lane 99, Baota Road, Jiading District, Shanghai (Intersection of Baota Road and Yumin South Road)
AREA：350 square meters

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遠(yuǎn)香湖九號別墅-29#現(xiàn)代中式設(shè)計·傳統(tǒng)東方美學(xué)+現(xiàn)代生活需求

本項目的設(shè)計理念以傳統(tǒng)東方美學(xué)為根基，融合現(xiàn)代生活需求與審美趨勢，形成了以下核心特征：

一、哲學(xué)內(nèi)核：天人合一的空間邏輯

?自然共生?：遵循“雖由人作，宛自天開”的造境哲學(xué)，通過借景、框景等手法實現(xiàn)室內(nèi)外空間滲透。

?動靜平衡?：利用屏風(fēng)、游廊等設(shè)計劃分功能區(qū)域，兼顧私密性與開放性，再現(xiàn)“猶抱琵琶半遮面”的東方意境。

二、設(shè)計語言：傳統(tǒng)符號的現(xiàn)代化轉(zhuǎn)譯

?材質(zhì)創(chuàng)新：

29#別墅在設(shè)計中保留木材、石材等自然材質(zhì)紋理，但采用現(xiàn)代工藝處理替代傳統(tǒng)木結(jié)構(gòu)。

引入玻璃、不銹鋼等現(xiàn)代材料，形成新舊材質(zhì)對話。

?色彩體系：

主色調(diào)以木紋色、青灰、米咖等低飽和色系奠定沉穩(wěn)基底

局部點綴水墨黑、朱砂紅等傳統(tǒng)色，通過留白強(qiáng)化空間呼吸感。

?符號提煉：

簡化傳統(tǒng)紋樣，以幾何線條重構(gòu)中式韻味。

運(yùn)用圓形餐桌、禪意吊燈等器物隱喻“天圓地方”哲學(xué)。

三、功能重構(gòu)：傳統(tǒng)美學(xué)的當(dāng)代適應(yīng)性

?空間復(fù)合化?：在地下室設(shè)茶室和書房，為開敞式，兼具社交與冥想功能，同時實現(xiàn)閱讀/辦公模式切換。

四、工藝傳承與創(chuàng)新

?匠心技藝?：保留榫卯、大漆等傳統(tǒng)工藝，但簡化工序。

?文化容器設(shè)計?：博古架陳列現(xiàn)代藝術(shù)品，蘇繡技法演化成抽象墻飾，實現(xiàn)“古法今用”。

五、生活方式映射

?場景詩意化?：餐廳通過中國畫營造“野泉聲入硯池”的用餐儀式感。

?情感連接?：庭院傳統(tǒng)景觀設(shè)計、室內(nèi)中式風(fēng)格喚醒文化基因中的集體記憶。

這種設(shè)計理念通過“去形取意”的手法，將傳統(tǒng)文化轉(zhuǎn)化為可感知的空間體驗，既滿足現(xiàn)代人對舒適性的追求，又回應(yīng)了深層的文化鄉(xiāng)愁。

Yuanxianghu No.9 Villa -29 # Modern Chinese Design, Traditional Oriental Aesthetics+Modern Life Needs

The design concept of this project is based on traditional Eastern aesthetics, integrating modern life needs and aesthetic trends, and forming the following core features:

1、 Philosophical Core: The Spatial Logic of the Unity of Heaven and Man

Natural Coexistence: Following the philosophy of "although created by humans, it is like opening from heaven", indoor and outdoor space infiltration is achieved through techniques such as borrowing scenery and framing scenery.

Dynamic and Static Balance: Using screens, corridors, and other designs to divide functional areas, balancing privacy and openness, and reproducing the Eastern artistic conception of "holding a pipa and half covering the face".

2、 Design Language: Modern Translation of Traditional Symbols

Material innovation:

Villa 29 retains natural material textures such as wood and stone in its design, but uses modern craftsmanship to replace traditional wooden structures.

Introducing modern materials such as glass and stainless steel to create a dialogue between old and new materials.

Color system:

The main color scheme is based on low saturation colors such as wood grain, bluish gray, and beige, which establish a stable foundation

Locally embellished with traditional colors such as ink black and cinnabar red, enhancing the sense of breathing in the space by leaving white space.

Symbol extraction:

Simplify traditional patterns and reconstruct Chinese style charm with geometric lines.

Using circular dining tables, Zen inspired chandeliers, and other objects as metaphors for the philosophy of "heaven is round and earth is square".

3、 Functional Reconstruction: Contemporary Adaptability of Traditional Aesthetics

Space compounding: Set up a tea room and study room in the basement, which are open plan and have both social and meditation functions, while achieving switching between reading/office modes.

4、 Craft Inheritance and Innovation

Craftsmanship: retaining traditional crafts such as mortise and tenon joints and lacquer, but simplifying the process.

Cultural container design: Bo Gu shelf displays modern artworks, and Su embroidery techniques have evolved into abstract wall decorations, achieving the goal of "using ancient methods for modern purposes".

5、 Lifestyle Mapping

Poetic scene: The restaurant creates a dining ritual of "wild spring sound entering the inkstone pool" through Chinese painting.

Emotional connection: Traditional courtyard landscape design and indoor Chinese style awaken collective memory in cultural genes.

This design concept uses the technique of "removing form and taking meaning" to transform traditional culture into a perceptible spatial experience, which not only satisfies modern people's pursuit of comfort, but also responds to deep cultural nostalgia.

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